Last week, I shared with you the two jackets I created using the Lisette for Butterick pattern B6464. Today, I wanted to showcase the sleeveless tops I've made from the same pattern. These tops are incredibly enjoyable to both sew and wear, and they’ve swiftly become a staple in my summer wardrobe!
[Image description: A beautifully styled sleeveless top in a soft drapey fabric]
I’ve crafted this top three times now, each time experimenting with different fabrics. The first version was made from leftover silk crepe in a color that wasn’t particularly flattering to me, but it had a lovely drape and worked surprisingly well. I extended the length by about 4-5 inches and closed the center-front gap just to experiment. (I actually prefer it open, as per the instructions—something you’ll notice in the other versions I’ve made.)
[Image description: The first silk crepe top with a subtle center-front gap]
This pattern is incredibly straightforward, featuring only one buttonhole at the back. Working with silk crepe required some extra attention to detail, particularly hand-stitching the neck facing to ensure a clean finish. However, with sturdier fabrics, you can skip this step altogether. Apart from that, the entire process is quick and satisfying, making it perfect for a summer sewing project.
[Image description: Close-up of the neat buttonhole at the back]
For my second attempt, I used some leftover Essex yarn-dye metallic fabric from Robert Kaufman. This fabric is absolutely stunning—it has a bit more structure and feels crisp, giving the top a more blouse-like appearance. While it might seem formal, the metallic threads add a touch of elegance, and I’ve received numerous compliments on it, likely due to its subtle shimmer. I lengthened this version by 4-5 inches too, as I tend to be taller and prefer a longer silhouette.
[Image description: The metallic Essex top with a luxurious sheen]
Inspired by the success of the first silk top, I decided to make another one in navy silk satin. This fabric is far more flattering for my light complexion compared to the pale beige-green of my initial top. For this version, I flipped the fabric so the satin side faced inward, thinking it would reduce any unwanted shine. While it felt amazing against my skin, I now wish I’d kept the satin on the outside—it looked so rich and opulent.
[Image description: The navy silk satin top with a smooth, luxurious texture]
This pattern has quickly become a summer essential for me. It’s loose enough through the torso and waist to feel comfortable, and the sleeveless design is summery without being overly revealing. I plan on making more of these tops in the future—I’m already looking forward to trying out different fabrics!
A few fitting tips: If you’re on the fence between sizes, go for the smaller one. If the chest area is too wide, it can create gaps under the arms, which isn’t ideal. Additionally, if you’re above a B-cup, consider doing a full bust adjustment (FBA). Don’t worry—it’s easier than it sounds! If you’re unsure about the process, I offer a comprehensive class on bust adjustments at Creativebug that walks you through every step.
Here’s how to adjust this pattern specifically:
1. After tracing the front blouse pattern piece and marking the bust apex, draw a horizontal line from the apex down to the hem. Cut along this line, leaving a hinge at the armhole. If this sounds confusing, my Creativebug class breaks it down thoroughly.
2. Next, draw another line from the neckline halfway across and intersecting the bust apex. Cut along this line, leaving a hinge at the apex.
3. Spread the pattern at the vertical cut, ensuring the pieces remain flat while adding more space. Keep the spacing even from the apex to the hem. For a C-cup, spread by about ½ inch; for a D-cup, spread by ¾ to 1 inch. As you spread, the neckline gap will widen. This adjustment creates more gathers at the neckline instead of a visible dart, giving you more room without drastically changing the overall design.
4. Tape tissue or blank paper behind the cuts to fill the gaps. Redraw the neckline, blending smoothly. Extend the center-front hemline to match the original shape, starting at the side seams.
With these tweaks, the pattern fits better right away, and you can fine-tune it further based on your preferences.
If you missed my previous post, check out the coordinating jackets I made using the same pattern. You can also grab your own copy of the pattern. Don’t forget to share your finished B6464 tops on Instagram with the hashtags #B6464 and #sewlisette, and join our SewLisette Flickr group to connect with fellow sewists.
[Image description: A collage of all three tops showcasing their unique styles]
Happy sewing!
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