STEVE&VIVIAN luxury women's 2019 summer new style match: Monet and Argenteuil

Monet is undoubtedly a creative genius in visual observation.

He is good at discovering certain phenomena that have never been discovered before by the relationship between light and color. He focused all his attention on light and color, and found the form that best suited the difference in brightness and light. He abstracted this change in lightness and brightness from various other factors in painting. Put it to the height that cannot be climbed.

Monet's visual observations are genius, creative, and extraordinary, but what is behind this observation? What is the relationship between what he sees and what he feels and what he imagines?

>>>Seine River<<<

"I have been painting the Seine forever, every moment, every season. I have never been bored with it: the Seine has always been fresh for me." This is Monet's description of the Seine.

In the painting of the Seine, the blue waters of the lake are moored with several sailboats, calm and peaceful. I think this is why Monet loves the Seine.

Monet had a special liking for the first wife, Kameiyi. Kameiyi accompanied Monet through the initial hard years, but did not share her husband's reputation. She died of illness in 1879. Monet was full of memories of Kamei during his lifetime.

Kameiyi is not only a model in Monet's paintings, a close confidant, a close lover, a virtuous wife, but also a soul mate of his life, a close lover of his life. Monet, the most beautiful goddess in her heart, likes to capture and express her beauty. The face and graceful body, as well as the radiance of her body.

Monet chose a river bank in Argenteuil. The trees and trees along the river are very picturesque, and there is water, probably Monet's favorite. Because the skylight cloud shadow, it can best reflect Monet's exploration of light.

Opposite the river bank is a church, and there are two very large chimneys. So how do you coordinate the big chimney and the church in a landscape? Monet has a lot of brains and has been very successful. For example, Monet covered the chimney very cleverly with the woods. Although the small chimney is still smoking, but the smoke is blended with the clouds in the scenery, it is not a big problem. Therefore, Monet successfully reflected the social reality in landscape painting.

Flowers, light and shadow, endless. This painting depicts a summer landscape in the vast fields. The wind is light and the sky is high. People walk leisurely in the poppy fields, creating a peaceful rural scene.

The bright green oil-lit lawn, the red sailboat in the blue Agen Tei River, and the blue sky form a strong and vivid contrast. The series of light-colored cruise ships are like bright laces embellished on the brocade. The effect of the picture is striking and sweet, showing the beautiful scenery of the Seine River in summer.

In this picture, the midtones replace the color contrast, but instead of borrowing a mixture of colors, they are formed by a combination of colors that combine the effects of light. The unified color style naturally spreads throughout the whole picture: the distant view and the close-up view, the object, the water and the sky, transforming all this into a beautiful and moving scene, and the perspective and the close-up view of the spatial perspective Join together as a whole. Each of the colors seems to be very soft alone, but their whole is strong; what appears in front of us is the sky where the fireworks are filled, the white clouds are about to disappear, and a large sailboat quietly stops in a gray half-shadow. in.

This is the vision of a visionary. In this smog, sunset, and melancholy atmosphere, Monet seems to be the life of the light, directly involved in its gradual extinction.