Inner painting** pot square inch painting Dan Qing

No art is like a cigarette holder. It has only 300 years of history from its inception to today, but it has a very high cultural color. It is small, but it can accommodate the world. From the end of the Qing Dynasty, the pot gradually developed into a smoked pot, integrated materials, calligraphy, paintings and many other artistic elements, almost all of the skills of the arts and crafts industry, has become China's unique artistic expression. At the same time, it also marks the transition of the pot from the utility to the artwork. In the past 300 years, with the development of the pottery skills of the inner paintings, famous artists have appeared in a wide range of subjects. The fine paintings in one piece have fully demonstrated the ingenuity, skill, and perseverance of the craftsmen. The Inner Painting Pot has been awarded the UNESCO "Outstanding Handicrafts Badge" certification and was included in the first national intangible cultural heritage list in 2006.

The skill of the flower pot in the pot is extraordinary. A small insect is found on the inner wall of a palm-sized flat-shaped jug. The roots of the fluff on the leg are visible and the veins on the wings are visible. The curved whiskers show the wind. It boasts that the slightly open wings show that it is about to take off or have just landed. The portrayal of it is exquisite and realistic. This ** pot painting work named “Autumn Sound” is just one of the representative works of hundreds of participating works and was held during the Seminar of “Protection and Development of Chinese Painting Art in China” held in the middle of April in the city of Shenzhou, Hebei Province. At the exhibition of fine arts of interior paintings, a variety of colorful and vivid performances ** pot paintings caused the audience to sigh of praise, each piece fully demonstrates the talents, skills and perseverance of the painters. The reporter walked along with the Chinese Folk Literature and Art Association vice-chairman Zheng Yimin to walk through the exhibition hall and listened to him emotionally speaking about the essence of **pot painting: “We want to pass on it, develop it, and make this art more splendid and brilliant, only inward painting** The pot art is a further understanding and in-depth study to better inherit and promote this broad and profound art."

China's 5,000-pot manufacturing process has included almost all of the arts and crafts industry's craftsmanship. From the end of the Qing Dynasty to the beginning of this century, it was the period of the rise of the pot of paintings in the interior. Many famous artists came out on the scene. The subject matter was extensive, the art was superb, and the materials, calligraphy, painting, and many other artistic elements added a touch of faint hues to the monotonous art field in the late Qing Dynasty. , Shows a unique charm in the space of Tiandi. In the past few hundred years, with the development of the pottery art of pottery within the paintings, there have been various schools of painting in China such as Beijing, Beijing, Shandong, and Guangdong. At present, the earliest signatories of internal paintings are pottery paintings of the Qing Jia Qingnian Gan Yiwen. His earliest works were written in 1816, and were suspended in 1860. Most of them were signed by Ganzi, and later they were also written by Gan Jiwen, as a layman, or in Mid-Levels. Yunfeng and other signatures. Therefore, it is more reliable to say that the inner pot of ** pots was born during the Jiaqing period. The creation of the inner pot of ** pots is inseparable from the success of the highly transparent glass refining and plutonium technology.

Mr. Zheng Yimin told reporters that most of the Chinese traditional paintings of pots and pots are painted on the inside of transparent or translucent pots. In a good internal painting work, we must also select the finest natural crystals, agates, smoky quartz crystals, hair crystals, and other excellent materials on the material selection of the blanks. These are created by highly skilled sculpted artists through grinding, engraving, and sculpting. Related production process, made inside the bottle tire. Some painting pots made of crystals and agate pots made from the Qing Dynasty were worthless. Those master artists with extraordinary skills rely on their exquisite calligraphy and painting skills and keen senses to create arbitrary works between squares and strokes, creating flowers that make small and exquisite painting pots into exquisite works of art. In particular, the "Shupai" consisting of Hebei pots and masters of pots, made from their inner paintings, pots, crystals, agates, glass, amber and other transparent or translucent materials. The artist used a special hook-shaped brush to paint on the wall of a frosted cigarette holder, painted landscape characters, flowers, birds and insects, and wrote articles on poetry to produce Chinese paintings and oil paintings on the outside. Especially known for their portraiture.

Protecting Inner-Painting Art and Promoting Chinese Culture At the symposium of "China's Domestic Painting Art Conservation and Development" held by Hebei Wenlian of the People's Republic of China in collaboration with the Chinese (Hong Kong) Academy of Interior Painting and the Hebei Province Inner Painting Art Research Association, Chinese folk art experts have directed the Chinese painting art in recent years. The development trends and related issues were discussed in depth to further promote the ingenuity of Chinese paintings, explore innovative ideas, integrate the schools of painting and calligraphy in the cities of Beijing, Beijing, Shandong, and Guangdong, and build a market-oriented bridge for the painting of the interior arts. The understanding of the art of painting inside.

Experts at the meeting suggested that many people do not know what the painting is. Therefore, the first thing the Chinese artists want to do is to let people understand the art of painting, and at the same time to use this vector to draw more people into Chinese traditional art. Mr. Chang Xianglin from the China Federation of Literature said that the painting of pots in the interior is a unique feature and that the inner paintings are a form of expression in the art of painting. Many artists have long been known as the art of art. The core of the painting is culture, which is a manifestation of the extreme humanity. Its wisdom, its technical difficulty and creative flexibility are much higher than painting on paper, so it should not be used as an aesthetic standard.

In an interview with the reporter, Wei Liqun, a member of the National Committee of Experts on the Protection of Intangible Cultural Heritage, proposed that the development of the pot of paintings in the country must keep pace with the progress of the times. To a certain extent, inner painting is a cultural carrier and a cultural symbol. In recent years, in-house artists have continued to innovate on the basis of inheriting traditions, and the topics of inner paintings have become increasingly widespread. They have gradually expanded into characters, landscapes, animals, flowers and birds and many other fields. The technique also draws on the essence of Chinese paintings, oil paintings, splashes of color, calligraphy, etc., which integrates Chinese and Western techniques. With the innovation of craftsmanship, the reputation of Chinese and domestic artists has also increased. Mr. Wei Liqun suggested that at present, we should protect the inside of the pot to protect the actual skill of the pot. We should explore whether we can restore the pot's actual function. We can also use it to hold spices and pills by quitting smoking. While we are developing pots and paintings in the pot, we should further integrate them with other art forms. At present, most of the painting pots are Linfen works, such as portraits and landscapes, which are not original and lack orphans. "Inner painting ** pot should encourage the development of originality, innovation and painting within the unique content." He stressed.

Talking about how to inherit and protect the inner painting art, Prof. Fan Yiguang of the Chinese Academy of Arts proposed that in order to develop into a big industry, the painting pot must be established. A group of people must devote themselves to research, and another group must do marketing promotion. "Through a variety of museums, including the Forbidden City, to strengthen the study of pot art inside the pot."

"Showing smart skills and practicing superb craftsmanship" is a form of expression in the art of painting. It has long been regarded as an art of worms and insects. It is just a matter of people's leisure and entertainment. This evaluation is unfair. Inner painting is not only a painting but also a painting. The category, but also the art of art, technical difficulty and creative flexibility are much higher than painting on paper. Zhang Zenglou said this sentence is the director of the Chinese Academy of Domestic Painting. His emotions come from the sweet, bittersweet and spicy taste of the pot art of pottery that he has painted for more than 30 years. In 1977, the 21-year-old Zhang Zenglou passed the Hebei Hengshui Arts and Crafts Factory and followed Wang Shisan, the director of the Hengshui School, who was the director of the factory.

Zhang Zenglou was trained by Wang Xisan’s teacher. He daily probed the pen into the bottle, painted figures, painted landscapes, scripted grass scribes, brushwork brushworks, ink brushworks, and his paintings were novel in composition, proportioned, and colored uniformly. Everybody is generous. For more than 30 years, Zhang Zenglou has been groping on the road of painting art in pots. He has gradually matured in various aspects such as grinding pots, hook lines, composition, scenery, colors and techniques. He has created nearly a thousand pieces of in-house paintings. Famous foreign collectors order collections.

The reporter walked into the home of Zhang Zenglou's three bedrooms and one living room, as if he stepped into a museum of painting pots. A piece of paintings inside the ** pot works are arranged in neatly arranged in a glass cabinet, crystal clear and bright, lifelike.

The carrier of the painting art is the bottle of the pot. The bottle body must first be provided with transparent or translucent properties in order to facilitate drawing and viewing. This is the basic conditions and criteria for selecting materials. For a good inner painting work, the blanks must be superior, such as natural crystals, natural agate or chamotte, smoky quartz, hair crystals, Qiao agate and other fine materials. These superior materials themselves have the value of preservation, appreciation, and collection.

Zhang Zenglou said that he sleeps very little every day, and he sits at the table whenever the dead of night begins to concentrate on creating. He put on his glasses, opened a lamp, and picked up the metal brush that was originally created by the Chung faction to show the reporter the process of painting the pot. According to Zhang Zenglou, the most difficult part of the painting is a negative-looking pen. A hook pen specifically used for inner paintings is probed into the bottle and painted on the bottle wall. ** The mouth of the pot is not wide enough to put in a soy bean, and only a narrow hair can be inserted.

The reporter asked Zhang Zenglou, who is the leader of Yanpai's paintings, how to innovate the inner painting of the pot on the basis of inheriting traditions. How can the art of painting be kept in pace with the development of the era? Zhang Zenglou said that his greatest wish is to let the art of interior painting stand in the halls of world arts, and to make the art of interior painting an industry that can earn foreign exchange for the country. Therefore, he has always taken the exploration, research and development of the interior art as his unremitting pursuit for many years. Since the founding of the Institute of Arts and Crafts in Shenzhen City in 1983, he has been groping for in-house painting techniques. On the other hand, he has trained talents in paintings, developed arts within the university and managed to use the paintings of the interior to create foreign exchange through exports. In 1989, he held a Chinese personal art exhibition in Hawaii, USA. In August 2004, he was invited by the Ministry of Culture of Thailand to participate in the “Exhibition of Artists of 10 Distinguished Artists in Asia”. In April 2006, three in-house paintings were selected for the Royal Miniature Exhibition in Britain. This breaks the gap that Chinese artists have not been able to care about for this exhibition for a hundred years.

In recent years, Zhang Zenglou has devoted himself to the innovation of traditional interior painting art and has researched and developed a large number of new types of interior paintings, such as mosaic-style painting gifts, multi-functional painting bottles, animal paintings, and hanging ornaments. In particular, the multifunctional interior painting bottle was awarded a gold medal at the “Eleventh New Product New Technology Achievement Fair” held by the State Intellectual Property Office. Zhang Zenglou took out a small pendant from the cupboard with flowers and grass inlaid in gold. He said that this pendant can be worn on the neck and contains medicine such as Suxiao Jiuxin Pill for emergency use. Zhang Zenglou said that “inner painting is hailed as a 'China's absolute' at home and abroad and is a unique form of artistic expression in China. Only traditional and ethnic are the world’s. We have many traditional arts and traditional folk customs are the world’s In any country, any kind of folklore is incomparable, and it is an excellent world cultural heritage. We must promote it, and we must, through everyone’s efforts, have a sublimation in art, technique, expression, and theory. And on the basis of tradition, it will absorb new ideas and new content and promote innovation and development."